Archive for Alan Waldman

| October 1, 2010
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“Prison Valley”: The Town With 13 Prisons

PVlogoThere is a place in the U.S. where prison defines the culture of the area around it. That city is Canon City, Colorado, and it is described on the Prison Valley website as:

A town in the middle of nowhere with 36,000 souls and 13 prisons, one of which is Supermax, the new ‘Alcatraz’ of America. A prison town where even those living on the outside live on the inside. A journey into what the future might hold.

The idea boggles the mind. When you start to remember every news item you’ve seen over the decades about prison overcrowding — and realize that each year it’s getting worse — that boggle becomes a chill. Sixteen percent of Canon City’s population are prisoners.

Now you can visit Canon City as easily as you can fire up your web browser. Journalist David Dufresne and photographer Philippe Brault have created an interactive web documentary about the town. Once you start it, you get a narrated drive into the area telling you about the prisons and the settlement that grew up around them. Narrated sequences alternate with interactive experiences to allow you a very organic and in-depth view of the area.

Alison Herd, a writer for Radio France Internationale, comments on the interactive and the social-media-driven aspects of the project:

[…U]sers can check into a room at the motel with a personal Facebook or Twitter account, attend the Dead Warden ceremony run by the Correctional Peace Officers Foundation, visit the prison museum or find out more about the Supermax prison (known as the ‘Alcatraz of the Rockies’).

Above all, the work invites you to go beyond the film, to take part in online debates and exchange emails with people who appear in the documentary.

‘For me, web documentary needs interactivity,’ says photographer Philippe Brault.

‘In Prison Valley we tried to bring debate into the issue of locking people up. That was the ultimate goal: to set off from a small town in Colorado, surrounded by thirteen prisons, soon to be fourteen, and have that story generate debate.’

That is something we applaud. Our own offerings here at HUMANE EXPOSURES are also geared towards expanding the conversation around these topics and exploring possibilities for substantive change. (Just take a look at the items we cover daily on this blog.)

So, please watch Prison Valley. If the awards mean anything, you’re in for quite a ride! Just take a look at what the piece has garnered already in 2010:

Awards:

Official Selections:

It’s a fascinating use of technology and an important study of where the out-of-control penal system could lead if substantive changes are not made. To watch the film, click on this link: Watch Prison Valley Now.

Source: “SOS photojournalism: web docs to the rescue?” Radio France Internationale, 09/1/10
Source: “Prison Valley,” Prison Valley, 2010
Prison Valley Logo, used under Fair Use: Reporting.
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Category: Humane Exposures, Prison | Tags: , , , , , , , , , , , , , , , , ,
| September 30, 2010
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Photographing Guantanamo

Ex-Detainee's HomeWe cover a lot of prison issues on this blog. However, up till now, we’ve yet to touch on one of the most infamous prisons in modern American history — Guantanamo.

Award-winning photographer Edmund Clark is preparing to launch a show at the Flowers Gallery in London that features this very prison. The show is titled Guantanamo — If The Light Goes Out, and it takes a slightly different approach than the other photographers we’ve written about.

While most of the photographers we cover are working with images of inmates or the homeless, Clark purposefully has no humans in his photos. The photos are mostly of Guantanamo itself, with the images of the homes of some of the ex-detainees mixed in, giving a jolting dose of perspective.

When asked by Loredana D’Andrea at the London entertainment website Spoonfed about why he did not include portraits, Clark said:

I find that a lot of photographic portraits, you’re not really saying anything. All that’s going to happen is that the viewer’s preconceptions are going to bounce back at them. Some of the ex-detainees wouldn’t have taken part if I wanted to photograph them. I was absolutely adamant that this wasn’t journalistic; I just wanted to work in their homes.

I also think if I produced a set of portraits of ex-detainees from Guantanamo, most of whom are of Pakistani, Middle Eastern, African origin, I think a lot of people would look at those and say, ‘ooh look that’s what a terrorist looks like.’ The portraits would be completely dehumanised. They wouldn’t actually say anything about the individual — the spaces are much more evocative.

Addressing his first point, we must agree that there are many times when portraits don’t “speak” to the viewer. That is why we try to find and share with you those that do. It’s one of the reasons why we tend to look at creators like Susan Madden Lankford, who add elements of personal narrative to their works. The combination of the image and the subjects’ own words helps dispel the effect of reinforcing preconceptions.

As to Clark’s second point, it makes perfect sense. Removing the people themselves and simply presenting the context is a good way to communicate the message while (hopefully) managing to avoid the racial stereotypes that attend the issue.

In Clark’s own words:

[…T]he work ‘is not about monumentalising the historical fact of the camps, but evoking the experience of individuals caught up in events in a backwater of Cuba.’

And that, truly, is the important part — the human condition, the experiences of a daily life gone horribly off the rails.

We’d like to wish Edmund Clark success, not only with his art show but also with the release of his new book, Gunatanamo, If The Light Goes Out, which is due in November following the opening. To keep up with the news about the book and the show, check out Clark’s Facebook Page.

Source: “Guantanamo, If The Light Goes Out – An interview with Edmund Clark,” Spoonfed, 09/24/10
Image copyright by Edmund Clark, used with permission.

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Category: Events, Humane Exposures, Photography, Prison | Tags: , , , , , , , ,
| September 29, 2010
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Margaret Miles Brings The Faces and Voices of the Homeless to Minneapolis Gallery

logoPhotography is a powerful tool for getting across the humanity behind the major issues of the day. Of course, at HUMANE EXPOSURES, we’re well familiar with that thanks to our own Susan Madden Lankford’s work presented in downTownUSA and Maggots in my Sweet Potatoes. Over the next few weeks, we’re going to introduce our readers to the works of other artists who address similar issues.

Margaret Miles in one of those artists, even though she herself is not a photographer. Miles is the development director for St. Stephens Shelter in Minneapolis. Back in 2008, she began collecting personal narratives from the homeless, joining forces with photographers Larry Levante and Kris Drake in the process. It all started at the annual Project Homeless Connect, an event designed to provide a one-stop shop for the homeless where they can meet and work with a wide variety of service providers.

This month, the Burnet Gallery in the Le Meridien Chambers Hotel in downtown Minneapolis hosted the show titled “Homeless is my address, not my name.” Roughly 70 portraits of homeless people line the chic gallery’s walls. Beneath almost a third of them appear the phone numbers. If a patron calls the number under a photo, he or she can hear the voice of the photo’s subject tell his or her own story. (It’s reminiscent of the photo-and-audio approach used by Robert Gumpert — we’ve written about on this blog.)

Euan Kerr of the Minnesota Public Radio interviewed Miles about the show. This exchange in particular is worth listening to:

The point is to show the breadth and depth of the homeless population and the myriad of reasons which can lead to someone being on the streets.

Miles points to a picture of Nathan, from Liberia. He worked his way through the immigration system to get to the U.S. legally. The trouble was once he got here, he never learned he needed to get a drivers license. He got a car, a driving job and soon after a whole bunch of tickets.

‘Try as he might try and figure out what he needed to do, he was put in prison for driving without a license,’ Miles says.

Out of prison, he found himself without a home. Nathan smiles broadly in the his picture but Miles says he wanted to make a serious point.

‘He’s very clear in saying, ‘I’ve never been addicted to anything. It’s not the stereotype you that you think,” Miles says.

We advise listening to the MPR piece — that way, you can experience for yourself the fact that hearing these stories in the original voice is both a powerful and moving experience. It rehumanizes people who have been reduced to naughts or ciphers by being removed from the main flow of society.

Miles is currently lining up shows at corporate galleries, as well as at the Hennepin County Government Center. Long-range plans include bringing the show to our nation’s capital. In the meantime, she has received a grant from the Minnesota Legacy Amendment to begin collecting narratives in the more rural parts of the state. Let us all wish her luck with reaching out to the larger and larger audiences with this material!

Source: “Voices of the homeless featured in Mpls. photography show,” MPR News, 09/15/10
Logo Image courtesy of Margaret Miles, used with permission.
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Category: downTown U.S.A., Homelessness, Humane Exposures, Maggots in My Sweet Potatoes, Photography | Tags: , , , , , , , , , , , , , , , , ,
| September 28, 2010
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Photo + Narrative: Prison Photographer Robert Gumpert

Locked and Found

Those familiar with our work here at HUMANE EXPOSURES are aware that we believe that images, combined with personal narratives, are the best way to communicate the ongoing crisis occurring in the American penal system. Susan Madden Lankford’s second book, Maggots in My Sweet Potatoes: Women Doing Time, demonstrates that approach very well. There are, however, other socially conscious photographers out there doing similar things.

One of them is Robert Gumpert. Much like Lankford, he aims his camera at the inequities of life, including incarceration. He carries things one step further though. The personal narratives attached to each photo are not written, they are playable recordings of the inmates’ own words and voices. Here is the short description from Gumpert’s website:

Work on ‘Locked and Found’ started in 2006. Any prisoner in the San Francisco County Jail system can take part telling any story, on any topic they choose but for an open case. Those who take part in ‘Locked and Found’ get photos and an audio copy of their story.

The picture we used in the post, for instance, is of Shanika Perkins. It was taken last March, and, along with, two recordings were made. The two audio clips are only a few minutes long, one is called “20 Years,” and the other one is “They’re sexy to me.”  The first one reflects on the substance abuse issues that had brought Perkins to jail, how incarceration has jumpstarted her writing, and her first forays into Buddhism. The second one is Perkins’ own perspective on her (primarily “jailhouse”) tattoos and their meaning. [Listen here, the play buttons are underneath the photo.]

Gumpert explores other social issues with his images as well. In the first half of 2003, he produced a series of works for the Institute of Industrial Relations Gallery at Berkeley called Field Work. It is described on the Institute’s website as follows:

‘Field Work’ is one of a series of projects that hopefully raise questions in the viewer’s mind about relationships in the world we live in. In this case the subject is agriculture and those that work the fields. All the images are from California, where half of the nation’s vegetables and fruits are grown, including 85% of the strawberries and 95% of the tomatoes used in processed foods. The photo/text panels illustrate the harvesting of specialty crops such as asparagus, romaine lettuce, pomegranates, garlic, and cotton, and together tell the story of the political economy of agriculture and of the field workers that form the labor backbone of this industry with falling wages and increased corporate subsidies.

Ryan Hinckson, a writer for TrendHunter.com, was quite impressed with a photo series Gumpert did on the subject of prison tattoos and their meanings:

Whether you are interested in it for the tattoos, the look at prison culture or because of a love of photography, the Robert Gumpert ‘American Prison Tattoos’ photo series will not disappoint.

Check out Gumpert’s work — it will make you think.

Source: “Take a Picture, Tell a Story,” Take a Picture, Tell a Story
Source: “Robert Gumpert,” RobertGumpert.com
Source: “Exploring Inmate Ink,” TrendHunter
Image copyright Robert Gumpert, from the show “Locked and Found.” Used with permission.

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Category: California, Humane Exposures, Maggots in My Sweet Potatoes, Photography, Prison | Tags: , , , , , , , , , , , , , , ,
| September 27, 2010
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The Link Between Prostitution and Homelessness

Homeless girlAmong the significant number of homeless teens on the street there are many who have been reduced by circumstances to prostitution. It’s a grim and ugly reality.

One of the factors that makes this issue less visible, in addition to the blind spot many develop towards the homeless in general, is the fact that it does not always adhere to the expectations. The classic stereotype of “hooker and pimp” is only one of many permutations possible on the streets. Prostitution does not always involve an exchange of favors for currency.

Laura Rillos, KVAL News, reports:

[Chris] Mirabal [program manager of Looking Glass New Roads, a day shelter dedicated to homeless youth] said the most common is called ‘survival sex.’  Typically, a person will offer a homeless youth a place to stay and expect sexual activity in return.

Sometimes, said Mirabal, the teen is not aware of the arrangement until after they’ve stayed with a person for a few days or weeks.

This form of predatory behavior is not confined to targeting the female gender. Homeless males find themselves being pushed into these compromising situations as well:

‘They wanted to have, like me have sex with her, while I’m staying on their couch, as part of rent,’ said a young homeless man who wanted to be identified as Brain. ‘I was like, I can’t do that. I’m sorry.’

Brain is 21 years old. He acknowledges his age and gender made it easier for him to say no and leave that situation.

Lack of resources can drive people to desperate measures. Add in the possibility of mental health or substance abuse issues, and the situation gets rapidly worse. When you don’t know where your next meal is coming from it become easier to rationalize things like this.

The escalating harshness of life on the streets over the recent years is also a factor. Young homeless girls in particular are at risk of rape, assault, and descent into prostitution. Without the normal support infrastructure provided by family and friends their vulnerability escalates.

Wendy McElroy, editor of ifeminists and someone who has herself been homeless, has commented on this aspect of the situation back in 2001:

The situation confronting homeless teens is worse today than when I ran away. It was the dead of winter when I left, and for the first nights I slept on the pew of a church whose doors were always open. Today, those doors would probably be locked. I was at one point ‘discovered,’ which was my greatest fear, but the person simply put a blanket over me and left without waking me up. Today, society is numbed to homelessness; we are overwhelmed with compassion fatigue and acts of gratuitous kindness seem to be fewer. We avert our eyes from the hand-painted signs and ignore the rattling cups.

McElroy’s position in the column is a controversial one. She advocates loosening of the child-labor restrictions so that the underage homeless can work and develop their own resources. Her reasoning is that most of the homeless in that age range are fleeing an abusive environment at home, and most programs are geared to return them to that home. Obviously, it is an idea that has gained little traction in the near decade since.

Source: “‘Survival sex’ lures homeless teens into prostitution,” KVAL.com, 02/09/10
Source: “Homelessness and Prostitution,” ifeminists, 05/15/01
Image by Franco Folini, used under its Creative Commons license.
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Category: Homelessness, Humane Exposures, Mental Health, Prostitution, Substance Abuse | Tags: , , , , , , , , , , , ,
| September 24, 2010
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Uptown San Diego Considering Homeless Survey

HomelessYesterday, we wrote about a survey of the homeless being conducted in Downtown San Diego. The Downtown Partnership and the Common Ground have teamed up to register the homeless in order to better identify and service their needs.

Meanwhile, Uptown, Todd Gloria, the chair of the City Council’s Land Use and Housing subcommittee, which studies homelessness, has his eye on the project. Here are some of the comments of Gloria’s, who also serves as the District 3 Councilmember, as reported by Christy Scannell of the San Diego News Room:

Gloria said he will be monitoring Registry Week as a possible solution for addressing homelessness in Uptown neighborhoods.

As downtown develops, the homeless are driven to Uptown and Balboa Park,’ he said. ‘As we find models that work in downtown I want to do what I can to bring those models [to Uptown] because we are the natural inheritors of those problems.’

That seems very forward thinking. Being aware of these sorts of factors is vital to finding solutions to them. The enthusiasm seems to wane though when it comes to the question of funding — should it be decided that a similar survey is required Uptown. Scannell reports:

When asked if he thought the Hillcrest Business Association, like Downtown Partnership, would fund a Registry Week for Uptown, its executive director Benjamin Nicholls was quick to say no.

‘It’s the role of business associations to help the businesses grow and that’s what we’re doing in Hillcrest,’ he said. ‘I don’t think it’s the role of business associations to become social service providers.’

Of course, this still comes down to a matter of implementation once the data is collected. Much like a dusty book in the back shelf of a library, if unseen, the information is useless. Proper coordination with treatment services and other resources is absolutely vital for success. We hope that as the possibility of a survey Uptown is considered, the spectrum of social services needed to effectively help those on the streets is also considered.

Source: “Homeless survey could become Uptown model,” San Diego News Room, 09/20/10
Image copyright Susan Madden Lankford, from the book “downTown USA: A Personal Journey with the Homeless.” Used with permission.
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Category: downTown U.S.A., Homelessness, Humane Exposures, San Diego | Tags: , , , , , , , , , , ,
| September 23, 2010
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New Homeless Census in Downtown San Diego

HomelessEarly morning last Monday had seen faces that you wouldn’t normally see at that hour fan out through downtown San Diego, as the volunteers had attempted to take a census of the society’s disenfranchised. The effort is part of a national initiative to get better data about the homeless population so that help can be given to those most in need. The goal is to reduce the number of homeless on the streets by 100,000 between now and the middle of 2013.

Steve Schmidt brings us a moment from that morning in his latest post on Sign On San Diego:

Many of the homeless didn’t mind being awakened for the questionnaire, which ranged from their level of education to whether they have a prison record.

‘I think more people like to be heard, and (the homeless) don’t get a lot of opportunities to be heard,’ said Mitchell Clark, a clinician and case worker with Heritage Clinic in San Diego.

That makes perfect sense. When was the last time that you’ve engaged a homeless person in conversation? The social urge is a vital one for people, especially when it is frustrated by the barriers of perception. Schmidt writes,

A few people found the questions overly intrusive. One man crawled out of his tent, pointed to an ailing woman he was with and yelled, ‘This survey you’re taking, what good is it going to do her?’

Long-range gains are often outside of the expectations of the homeless. The immediacy of life on the streets takes precedence. Fortunately, the census takers had this in mind and showed up prepared:

Others became more willing to talk when they learned they would each get a $5 gift certificate for Jack in the Box if they participated.

[Robin] Munro [an attorney and one of the organizers of the census] said the predawn hours are considered the best time to get an accurate read of a transient population. She and the project’s other coordinators plan to compile their registry by the end of the week.

As with all issues, accurate information is key to finding a solution. Campaigns like this one have already occurred in Los Angeles, San Francisco, Seattle, Chicago, and New York. Of course, information is only worthwhile if you act upon it. Experts, including the National Alliance to End Homelessness and the federal Interagency on Homelessness, point this out as well. Several studies put forth by these groups show that registries are effective when they work together with the programs that dispense housing, substance abuse treatment, mental health services, and other programs designed to help these people effect a return to society.

Source: “Volunteers start count of city’s homeless,” Sign On San Diego, 09/20/10
Image copyright Susan Madden Lankford, from the book “downTown USA: A Personal Journey with the Homeless.” Used with permission.
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Category: California, downTown U.S.A., Homelessness, Humane Exposures, San Diego | Tags: , , , , , , , , , , ,
| September 22, 2010
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Teenage Prostitution: Not As Rare As You Think

PimpsThere are many paths taken by those on the streets. For an unfortunate number of pople, one of those paths is prostitution, and they get started at an earlier age than some of us would think.

In addition, there is another sad aspect to this situation, the human trafficking angle. While some of those turning tricks on the street came to that due to homelessness — the stereotypical runaway comes readily to mind — others are kidnapped from their homes and press-ganged into service.

Let’s take a look into that world for a moment, by looking at this video produced by the Press-Telegram of Long Beach, CA:

Sad and disturbing, like so many examples of the societal breakdown. Twelve years old? I don’t know about you, but I was shocked by that. In addition, I found the comparison of the pimp/prostitute relationship to the classic abusive household’s dynamic to be most interesting.

The problem is not going away, nor are any of its aspects. Only recently, three men were sent to jail for sexual exploitation of a child and sex trafficking of children right here in San Diego, as reported on San Diego 6:

According to evidence presented at trial, they picked up the 14-year-old at a restaurant on El Cajon Boulevard in San Diego and drove her to Oceanside, where she was forced to pose for explicit photographs so ‘johns’ could be solicited to engage in commercial sex acts with the child.

The teen was able to escape from the motel room and run to a nearby convenience store to call 911.

Many, many more do not escape. Whether it’s a victim of trafficking or simply someone trying to get off the street, the plight of these poor girls is one that is most certainly worthy of examination. So many of the social ills we examine are intertwined. Violence, homelessness, poor education, people preying on other people, the broken prison system, etc., all demonstrate the interconnected nature of societal problems.

Source: “Man Sentenced for Abducting Teen in Prostitution Scheme,” San Diego 6, 09/13/10
Source: “Human trafficking’s misery hits home,” Press- Telegram, Long Beach, CA, 09/04/10
Image by CommandZed, used under its Creative Commons license.
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Category: California, Homelessness, Humane Exposures, Prostitution, San Diego, Women's Issues | Tags: , , , , , , , , , , , , ,
| September 21, 2010
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Get My School Bucks: An Innovative Web Effort Supporting Education

Get My School Bucks

Did you know that you can help a struggling school simply by shopping? Chad and Melinda Reist of San Diego have created a way for you to do just that, on a website called GetMySchoolBucks.com.

Back in April, KFMB TV Channel 8 ran a story about their efforts, which explains how it all works:

‘We don’t want our younger ones to not have the education they should have,’ Melinda said.

Their solution: a web site that offers discounted gift certificates. Any company interested offers its services on getmyschoolbucks.com at 20 percent off, and any customer interested purchases it at five percent off. The web site takes its cut and the rest goes back to the schools.

‘Essentially it’s money you are already going to spend, so before you head out to dinner with the family, might as well save five percent and give five percent to the schools,’ Chad said.

Sounds like the Reists are on to something. Everybody likes to save money, particularly when the economy is such a mess, so offering coupons is a great way to get people to participate. Adding in the socially conscious element that so many Internet-based efforts are exhibiting these days should really give it legs.

The Reists are not the only parents concerned for their children’s educational future, especially in San Diego, where the state of the school board is continually chaotic. As we’ve stated on numerous occassions, many of the social ills we face are directly related to poor education. There is a plethora of studies linking it to both crime and homelessness, and, while not the sole cause of either, it is still cause for grave concern.

Source: “San Diego couple’s web business to help schools,” KFMD TV Channel 8, 04/01/10
Image of GetMySchoolBucks logo, used under Fair Use: Reporting.
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Category: Education, Humane Exposures, Public School, San Diego | Tags: , , , , , , , , ,
| September 20, 2010
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Photo Exhibit Documents Homeless Vets in Minnesota

Put on by the Greater Minnesota Housing Fund (GMHF), a photography show called “Portraits of Home II: Veterans in Search of Shelter in Greater Minnesota” uses art and documentation to put human faces to the tragedy of our street population. The attitude and the ethical concepts behind the exhibit are stated on the GMHF website:

Art, especially photography, can be a powerful tool for increasing public awareness of the affordable housing crisis facing people in Greater Minnesota. Photographs personalize the human impacts of poor housing conditions and homelessness. They capture the dignity and resiliency of people managing everyday life with few resources and the positive changes that can occur with stable housing. Greater Minnesota Housing Fund is making this compelling exhibit available to local communities throughout 2009 and 2010 in order to touch the hearts and minds of policymakers, local leaders and residents, and to inform these stakeholders of the specific actions they can take to address the housing challenges faced by a growing number of Minnesota families.

The show seems to be doing a good job of generating discussion of the issue. Currently at Winona State University, it was written up in the Winona Daily News:

Ruth Charles, a WSU professor, helped coordinate the event. She hopes the exhibit serves as ‘a piece of education’ and ‘makes the connection’ to viewers that all too often troops are not supported when they return home.

The photos capture an ‘incredibly important piece of history,’ especially right now, as ‘we’ll have a tsunami of veterans coming back to the states’ from Iraq and Afghanistan, said Stormi Greener, a freelance photographer whose work is on display in the exhibit.

One veteran whose photo appears in Minne Hall was deployed to Iraq for 22 months, during which time the house he had been living in was sold. Photographer Brian Lesteberg captures the veteran sitting in the open trunk of his car, where he has been living for more than three months.

We obviously believe in the power of art, image and narrative as catalysts for change. Just take a look at our published offerings. It is said that “a picture is worth a thousand words,” and, in cases like these, we’d say that it’s certainly true. You can quote the dismal statistics of the situation, or you can show someone a picture of a child living on the streets. All too often, it’s the image that catches people’s attention first, and that’s why shows like this one are vitally important.

Take a look at Susan Madden Lankford’s downTown USA: A Personal Journey with The Homeless, or Deborah Luster‘s “One Big Self” to see how much humanity can be communicated by a simple photograph. And, really, that is what is so often absent — simple humanity. While walking past a homeless person in the street, most people have trained themselves to look away, but that same reflex does not occur when they’re looking at photos. We would wager that viewing photos like this provides the first in-depth perception of homelessness for more than a few people.

Source: “Portraits of Home II,” Greater Minnesota Housing Fund, undated
Source: “WSU photo exhibit shines a light on homeless veterans,” Winona Daily News, 09/17/10
Image by NAME, used under its Creative Commons license
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Category: downTown U.S.A., Events, Homeless Veterans, Homelessness, Humane Exposures, Photography | Tags: , , , , , , , , , , , , , , , , , ,
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